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Leaf Music & Leslie Kinton Present Beethoven: Diabelli Variations

Leaf Music and pianist Leslie Kinton announce the upcoming release of their new recording, Beethoven Diabelli Variations (LM319), in digital and physical formats. This marks the first solo recording for acclaimed pianist Leslie Kinton, who is one half of the renowned Anagnoson & Kinton Piano Duo. 

Beethoven’s Diabelli Variations in C Major, Op. 120 consists of 33 variations on a waltz originally composed by Anton Diabelli. Diabelli sent his short waltz theme to the leading composers of the day, including Schubert, Liszt, Czerny and Beethoven, who initially rejected the piece as a “Schusterfleck,” a “cobbler’s patch.” Eventually he changed his mind, writing not one variation but an entire set of thirty-three, the culmination of his work for the piano. The result is often regarded as the greatest set of piano variations ever written, acknowledged by Diabelli himself as comparable only to Bach’s Goldberg Variations.

Composed between 1819 and 1823, Beethoven titled the work “Transformations” instead of the more typical “Variations.” He stays with Diabelli’s C major for most of the set, except for C minor for Variations 9 and 29-31 and E flat major for the triple fugue in Variation 32. This dramatic impact is followed by Variation 33, a closing minuet, back in C major. Leslie Kinton portrays the piece as grouped into four main sections, each ending with a distinct sense of closure, concluding with a “visionary affirmation.” 


Toronto-born Leslie Kinton studied piano with Pierre Souvairan and composition with Samuel Dolin. He later continued piano studies in New York with Jeaneane Dowis and Karl Ulrich Schnabel. He holds a Ph.D. in music theory from the University of Toronto. 

As part of the Anagnoson & Kinton piano duo, Leslie Kinton has performed throughout North America, Europe, and Asia. The duo has appeared with major orchestras across Canada and have a discography of nine recordings. Anagnoson & Kinton are heard on CBC Radio almost every week, and have also been broadcast on the BBC, US National Public Radio, Czech Radio, Hilversum Radio (Netherlands), Hong Kong Radio and Radio Suisse Romande. In 2019 the musicians were named Honorary Fellows of the Royal Conservatory of Music, the highest distinction conferred by the organization, to those who have made an extraordinary contribution to arts and culture in Canada and beyond. Leslie Kinton is Professor of Piano Performance at the University of Western Ontario.


Listen to Beethoven Diabelli Variations on your favourite streaming platforms with the physical and digital copies available September 25.

Beethoven Diabelli Variations was recorded, mixed and mastered by Anton Kwiatkowski in 2025 in Burlington, Ontario, his final pre-retirement recording project.


Leaf Music is an independent recording label based in Halifax, Nova Scotia and Nashville, Tennessee, making and distributing high-quality classical music recordings by artists and composers from across North America. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. Leaf Music is also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in North America. 

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MEDIA CONTACT: 

For more information/photos or to arrange interviews, please contact:
Ai Lynn Ang, ailynn@leaf.music / Meg Henebury, meg@leaf.music

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Svitlana Remniakova and Reneé Pérez return with second album, A Touch of Sound


Alberta-based violinist Svitlana Remniakova and classical guitarist Reneé Pérez return with their second album, A Touch of Sound (PR2026), arriving September 18, 2026, through Leaf Music Distribution. Spanning more than three centuries, the album brings together music by Giuseppe Torelli, Antonio Vivaldi, Johann Baptist Vaňhal, Niccolò Paganini, Joseph Küffner, and Myroslav Skoryk. Through thoughtful arrangements, the duo explores intimacy, colour, and emotion, bringing out the distinct character of each instrument and how they respond to each other.

The programme includes Robert Brojer’s arrangement of Torelli’s Violin Concerto in A Major, P.A.2.3.5, and Ricardo Grätzer’s arrangement of Vivaldi’s Flute Sonata in F Major, RV 52, alongside Vivaldi’s Concerto forViola d’amore and Lute in D Minor, RV 540. Vaňhal’s Six Variations on “Nel cor più non mi sento,” Op. 42, selections from Paganini’s Six Sonatas, Op. 2, and Kuffner’s Serenade, Op. 98, further reveal the versatility of the pairing, moving between ornamented variation, lyrical exchange, and more virtuosic writing.

The album’s emotional arc culminates in the duo’s arrangement of Myroslav Skoryk’s Melody, one of Ukraine’s most cherished compositions. Long associated with remembrance and reflection, the work has taken on renewed significance amid the ongoing war in Ukraine as an expression of resilience, grief, and hope. Reimagined for violin and guitar, Melody’s quiet intensity has come to represent a broader vision of shared humanity: 

“In its first few measures, Melody invokes feelings of sadness, loss, and despair, but as it develops with long phrases, modulation and changes in metric, it appeals more to anger and resilience; finally, its strong yet delicate ending supplicates to an untouched and distant hope. We feel that these three stages are common to our people, and in general to human beings who go through tragedies in life. This is why this piece is so close to us; it represents our lives, our stories, and, to a point, our future.“
– Renee & Svitlana

With A Touch of Sound, the ensemble Classical Duet continues to broaden the repertoire for violin and guitar, celebrating the expressive flexibility of the pairing through rarely heard works and arrangements that bring music conceived for other instrumental settings into a more intimate dialogue.


Svitlana Remniakova-Ostrovska‘s passion for music began back in Ukraine, where she studied violin at the Music College of Dniepropetrovsk, and then at the Kiev Conservatory of P. Tchaikovsky in the class of a David Oistrakh’s graduate, Elena Buchinskaya. After graduation, Svitlana worked at the State Circus Orchestra, State Television and Radio Orchestra in Kiev, and then at the Dniepropetrovsk Philharmonic Orchestra conducted by Gurgen Karapetian and at the Dniepropetrovsk Chamber Orchestra in the Dnipropetrovsk House of Organ and Chamber Music conducted by Anatoliy Abayev. Since 2019, Svitlana has made Edmonton home, and now she works at the Edmonton Music Academy and is the principal second violin at the Concordia Symphony Orchestra conducted by Danielle Lisboa. Svitlana is the co-organizer of the International String Connections festival and co-founder of the Classical Duet together, a virtuosic and stylistic classical music duo that regularly plays around Alberta and Western Europe.

Reneé Pérez is a highly motivated classical guitarist who graduated from the University of Alberta in classical guitar performance, earned a Performer’s Certificate from King’s University of Edmonton, and is currently pursuing a Performance Diploma. He is interested in solo and chamber music from the classical and baroque periods, from both European and South American sources. His musical interests also include basso continuo with the baroque guitar and archlute. Reneé has toured several times in Houston, USA and northern Portugal — specifically the city of 
Porto and vicinity—as a soloist and chamber musician, and has toured, playing the Fasch D minor concerto for guitar and strings with several string quartets and Venezuelan orchestras belonging to “El Sistema”. He was featured as an emerging solo artist by the Calgary Classical Guitar Society. Reneé is currently the President of the Edmonton Classical Guitar Society. He is an enthusiastic guitar teacher and conducts the Edmonton Adult Classical Guitar Orchestra. His discography with the Classical Duet includes “Reverie”, an album dedicated to Joseph Küffner, a 
German violin/guitar player and composer of the 18th century. 

The Alberta-Canada-based duo Classical Duet is formed by the experienced violinist Svitlana Remiankova and professional classical guitarist Reneé Pérez, originally from Ukraine and Venezuela, respectively. 

The ensemble has a particular interest in Baroque and Classical repertoire, bringing together music from these periods in lively and virtuosic programs. Their work explores the character of different instruments and the ways their sounds and textures come together. This ongoing dialogue offers a glimpse into how the music might have been heard when it was first written, while giving audiences a chance to experience familiar works in a new way. 


Leaf Music  is an independent recording label based in Halifax, Nova Scotia and Nashville, Tennessee, making and distributing high-quality classical music recordings by artists and composers from across North America. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. Leaf Music is also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in North America.

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MEDIA CONTACT: 

For more information/photos or to arrange interviews, please contact:
Ai Lynn Ang, ailynn@leaf.music / Meg Henebury, meg@leaf.music

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Mark Fewer Records Bach’s Sonatas and Partitas on Six Canadian-Made Violins


Violinist Mark Fewer, together with Leaf Music, announces the release of J.S. Bach: Violin Sonatas and Partitas, BWV 1001–1006 (LM311), performed on six different violins crafted by leading Canadian luthiers. The work stands as a cornerstone of the solo violin repertoire and of Western classical music. Each work is paired with a different violin, made by (in order of appearance) David Prentice, John Newton, Mark Schnurr, Itzel Avila, Isabelle Wilbaux, and Sibylle Ruppert, highlighting both the instruments’ individuality and the interpretive possibilities within this repertoire. 

The conception of this project began over two decades ago and is closely connected to the SweetWater Music Festival, founded by Mark Fewer alongside Jean and Keith Medley on the shores of Georgian Bay. By bringing leading string players into close contact with Canada’s finest luthiers, the festival fostered what has come to be known as a “Cremona North,” a thriving but often under-recognized community of makers working at the highest level. Instruments by these makers have appeared on stages at major international venues including Carnegie Hall, Suntory Hall, Wigmore Hall, Walt Disney Concert Hall, and the Sydney Opera House. The six makers represent a cross-section of Canada’s lutherie community: three are women and three are men, some born in Canada and others who have made it their home. All of them contribute to what is heard on stages around the world. 

Through this recording, Fewer draws a parallel between Bach’s music and the craft of violin making. Like Bach’s works, which are both deeply personal and universally expressive, each violin offers a distinct voice shaped by the performer in the moment. The same repertoire yields different interpretations, and each instrument reveals a different sound.

Fewer pays tribute to these makers who continue to refine their craft and give performers the opportunity to express their musical voices wherever they go.  


Recently named to CBC’s In Concert Hall of Fame, Mark Fewer has spent over three decades interpreting music across virtually every genre and setting, premiering more than 200 works, including over 50 written specifically for him. His distinctive discography includes multiple JUNO- and Grammy-winning recordings, as well as a Prix Opus and a recent ECMA Award for Best Instrumental Recording of the Year for Alikeness. He has served as Concertmaster of the Vancouver Symphony Orchestra, Artist-in-Residence at Stanford University, and William Dawson Scholar at McGill University. He is Associate Professor of Violin at the University of Toronto and a Senior Fellow at Massey College. He is currently first violinist of the Axelrod String Quartet at the Smithsonian Institution in Washington, DC, where the group performs and records exclusively on Stradivari and Amati instruments from the museum’s famed collection. After 16 years as founding Artistic Director of the SweetWater Music Festival, he is now in his eighth season as Artistic Director of Stratford Summer Music. 


Leaf Music is an independent recording label based in Halifax, Nova Scotia and Nashville, Tennessee, making and distributing high-quality classical music recordings by artists and composers from across North America. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. Leaf Music is also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in North America. 

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MEDIA CONTACT: 

For more information/photos or to arrange interviews, please contact:
Ai Lynn Ang, ailynn@leaf.music / Meg Henebury, meg@leaf.music